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The creation of a taxonomy for organizing and classifying a diverse array of materials such those that constitute the digital archive of Portuguese Experimental Literature is a challenging task for the researchers. Our system for organizing a selected corpus combines several typologies of classification, organized in two main areas: Materialities and Transtextualities.

Materialities

The medium of the items, i.e., their material nature.

Performative > Readings and other artistic practices which are performed live with the possibility of audience participation: Audio recordings, Photographs, Video recordings of live Performances, Readings and Plays, as well as their Preparatory texts.

Planographic > Bidimensional works presented on flat surfaces using various techniques of inscription: Calligraphies, Collages, Drawings, Paintings, Printing, Digital Printing, Electrographies, Engravings, Letraset, Letterpress, Serigraphies, Stencils, and Typescripts.

Digital > Works produced by computational processes (generative, permutational, intermedia, etc.), as well as their related documents: Codes, Emulations, Preparatory texts, Printed texts, Recreations, and Rereadings.

Three-dimensional > Permanent or ephemeral three-dimensional works presented or installed in art galleries, buildings, parks, and other private or public spaces: Artists’ Books, Assemblages, Installations (Photographs, Preparatory Texts), Object-poems, Sculptures.

Phonographic > Works that were originally conceived as sound recordings, as well as related documents: Typescripts, Phonograms, Scores, and Preparatory texts.

Videographic > Works that were originally conceived as videopoems or other kinds of videoworks, as well as related documents: Storyboards, Videograms (Preparatory texts, Photographs), Videograms.

Transtextualities

System of “relations” which includes reflexive manifestations of the symbolic systems involved.

Autograph Metatextualities > Texts about the works and artistic practices produced by the authors themselves: Afterwords, Articles in Magazines and Journals, Articles in Newspapers, Books and Monographs, Chapters in Books, Critical Essays, Documentaries, Interviews, Introductions, Manifestos, Prefaces, Reviews, Theses and Dissertations.

Alograph Metatextualities > Texts about the works and artistic practices produced by agents other than the authors: Afterwords, Articles in Magazines and Journals, Articles in Newspapers, Books and Monographs, Chapters in Books, Critical Essays, Documentaries, Interviews, Introductions, Prefaces, Reviews, Theses and Dissertations.

Paratextualities > Textual elements that help to frame works and artistic practices: Catalogues, Covers, and Posters.

Hypertextualities > Texts that are explicitly derived from other texts: Citations – textual fragments from different sources -, Parodies and pastiches, as well as all texts that rewrite or explicitly refer other texts.