Exhibit with works from the Fernando Aguiar Archive. [Flyer. Summary]
International Symposium «Eroticism, Poetic Concretism, and Visuality (1960-1970)»
Program of the event organized by the Musée national d’art moderne – Centre Pompidou, Paris, 17 and 18 September, 2021. [Program]
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ENCLAVE Series: Mónica de la Torre reads poems by Ana Hatherly
Reading of poems from «Leonorana», by Ana Hatherly, presented and translated by Mónica de la Torre. [Video]
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Networks, Collaboration & Resistance in/between Portugal & Brazil, 1962-1982: Works from the Arquivo Fernando Aguiar & the Coleção Moraes-Barbosa
Essay by Rui Torres published on the occasion of the exhibition with the same title at the John Young Museum of Art, University of Hawai’i at Manoa, 26 October 2020 to 28 January 2021. [pdf]
The Intelligent Hand: Ana Hatherly |/ Asemic Writing |/ Visualizing the Creative Act |/
Text by Natalie Ferris about Ana Hatherly’s works. [Link. Images]
Walking Board
Poetic object by Bruno Neiva and Bárbara Mesquita. [Description. Images]
Women in Concrete Poetry: 1959-1979
International anthology includes works by Ana Hatherly and Salette Tavares [Cover. Links]
Ballroom Etiquette
Visual work by Maria Brito and Bruno Neiva [Description. Images]
Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982 [John Young Museum of Art, University of Hawai’i at Mānoa, Oct 26, 2020 – Jan 28, 2021]
An exhibit curated by Maika Pollack and Rui Torres with works from the Arquivo Fernando Aguiar and the Coleção Moraes-Barbosa. [Images. Links]
Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982
Exhibit curated by Maika Pollack and Rui Torres, with works from the Arquivo Fernando Aguiar and the Coleção Moraes-Barbosa, at the John Young Museum of Art, University of Hawai’i at Mānoa. [Images. Links]
Continue reading “Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982”