Esta Bibliografia está em constante expansão, sendo por isso provisória. Envie-nos as suas sugestões usando para isso a opção Contactos, no menu do topo da página. Temos especial interesse por estudos específicos sobre o experimentalismo português. Na nossa secção de Links estão também referenciadas várias bibliografias alternativas.
BIBLIOGRAFIA DE ENQUADRAMENTO DA PO.EX:
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Araújo, Laís Correa de. Do Poético e da Poesia (à margem de um livro de Melo e Castro. In: Colóquio Letras, n.24, mar.1975.
Arnheim, Rudolf. "Visual Aspects of Concrete Poetry." Literary Criticism and Psychology. Ed. Joseph P. Strelka. Yearbook of Comparative Criticism 7. University Park: Pennsylvania State University Press, 1976. 91-109.
Ascher, Nelson. "O Texto e sua Sombra (Teses Sobre a Teoria da Intradução)." 34 Letras 3 (1989): 142-57.
Ávila, Carlos, et al. "Poesia Concreta 30." Código 11 (1986). No pagination.
Bayard, Caroline. The new poetics in Canada and Quebec: from Concretism to Post-Modernism. Toronto: U of Toronto P, 1989.
Bénabou, Marcel. "Rule and Constraint." 1983. Oulipo: A Primer of Potential Literature. Trans. Warren F. Motte, Jr. Lincoln: University of Nebraska Press, 1986. 40-47.
Bens, Jacques. OuLiPo 1960-1963. Paris: Christian Bourgois Editeur, 1980.
Bense, Max. “Einführung in die informationstheoretische Ästhetik: Grundlegung und Anwendung in der Texttheorie.” Rowohlts Deutsche Enzyklopädie 320. Reinbek bei Hamburg: Rowohlt, 1969.
Bessa, Pedro Pires. “A poesia visual de Décio Pignatari.” Revista de Cultura Vozes 4 (1989): 439-447.
---. “A poesia visual de Edgar Braga.”Revista de Cultura Vozes LXXXI.1 (1987): 91-97.
Bohn, Willard. The Aesthetics of Visual Poetry 1914-1928. Cambridge: Cambridge UP, 1986.
Bowler, Berjouhi, comp. The Word As Image. London: Studio Vista, 1970.
Byrum, John, and Crag Hill, eds. Core; A Symposium on Visual Poetry. N. p. : Generatorscore Press, 1993.
Campos, Agusto de, Haroldo de Campos, and Decio Pignatari. "Pilot Plan for Concrete Poetry." The Avant-Garde Tradition in Literature. Richard Kostelanetz, ed. Buffalo, New York: Prometheus Books, 1982.
Campos, Augusto de, Décio Pignatari e Haroldo de Campos. Teoria da Poesia Concreta. Textos Críticos e Manifestos (1950-1960). S.Paulo: Invenção, 1965.
Campos, Augusto de. "Bob Brown: Poemas Óticos." 1965. À Margem da Margem. São Paulo: Companhia das Letras, 1989. 126-41.
Campos, Augusto de. "Entrevista." 34 Letras 4 (1989): 10-28.
Campos, Augusto de. “The Concrete Coin of Speech.” Poetics Today 3.3 (1982): 167-176; Jornal do Brasil 9 Jan. 1957
Campos, Haroldo de. "Da Tradução à Transficcionalidade." 34 Letras 3 (1989): 82-95.
Campos, Haroldo de. "Poesia de Vanguarda Brasileira e Alemã." A Arte no Horizonte do Provável. 4th ed. São Paulo: Editora Perspectiva, 1977. 155-83.
Campos, Haroldo de. “The Informational Temperature of the Text.” Poetics Today 3.3 (1982): 177-187.
---. "Da Tradução Como Criação e Como Crítica." Tempo Brasileiro 4-5 (1963): 164-81. Rpt. in Metalinguagem: Ensaios de Teoria e Crítica Literária. 2nd ed. Petrópolis: Editora Vozes, 1970. 21-38. Trans. into French by Inès Oseki-Dépre in Change 14 (1973): 71-84.
Caws, Mary Ann. The Art of Interference: Stressed Readings in Verbal and Visual Texts. Princeton: Princeton University Press, 1989.
Clüver, Claus. "Languages of the Concrete Poem." Transformations of Literary Language in Latin American Literature. Ed. K. David Jackson. Austin: Abaporu Press, 1987. 32-43.
---. “Agusto de Campos’ ‘terremoto’: Cosmology as Ideogram.” Contemporary Poetry 3.1 (1978): 39-55.
---. “Reflections on Verbivocovisual Ideograms.” Poetics Today 3.3 (1982): 137-148.
---. “Iconocity and Isomorfism in Brazilian Concrete Poems.” Proceedings of the conference on Visuelle Poesie im historischen Wandel – Changing forms of Visual Poetry. Ed. Jeremy Adler and Ulrich Ernst. Wolfenbuttel: Herzog August bibliothek, 1987. 1-20.
---. “Klangfarbenmelodie in Polychromatic Poems: A. von Webern and A. de Campos.” Comparative Literature Studies 18/3 (1981): 386-98.
---. Signos Intercódigos: Ensaios sobre Poesia Concreta e outros textos Verbivocovisuais. Trans. Magnolia Rejane dos Santos. S.Paulo: Perspectiva, 1997.
Cobbing, Bob, and Peter Mayer, eds. Concerning Concrete Poetry. London: Writers Forum, 1978.
Draper, R.F. "Concrete Poetry." New Literary History 2 (1971): 329-40.
Drucker, Johanna. "Typographic Manipulation of the Poetic Text in the Early Twentieth-Century Avant-Garde." Visible Language 25 (1991): 231-56.
---. The Visible Word: Experimental Typography and Modern Art Practice. Chicago: U of Chicago P, 1994.
---. "Letterpress Language: Typography As a Medium For the Visual Representation of Language." Leonardo 17 (1986): 8-16.
Ernst, Ulrich. "The Figured Poem: Towards a Definition of Genre." Visible Language 20 (1986): 8-27.
Forrest-Thomson, Veronica. Poetic Artifice: A Theory of Twentieth-Century Poetry. Manchester: Manchester University Press, 1978.
Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. Dia series #. Port Townsend, Washington: Bay Press, 1983.
---, ed. Vision and Visuality. Dia Art Foundation Discussions in Contemporary Culture 2. Seattle: Bay Press, 1988.
Franchetti, Paulo. Alguns Aspectos da Teoria da Poesia Concreta. Campinas: Editora da UNICAMP, 1989.
Frank, Joseph. "Spatial Form in Modern Literature." 1945. The Idea of Spatial Form. New Brunswick: Rutgers University Press, 1991. 31-66.
Frank, Robert, and Henry Sayre, eds. The Line in Postmodern Poetry. Urbana: University of Illinois Press, 1988.
Garcia, José Martins. O papel da redundância na poesia de E. M. de Melo e Castro. In: Linguagem e Criação. Lisboa: Assírio & Alvim, 1973.
Garnier, Pierre. Spatialism et poésie concrète. Paris: Gallimard, 1968.
Gefin, Laszlo K. Ideogram: History of a Poetic Mode. Austin: University of Texas Press, 1982.
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Gomes, Maria dos Prazeres. O rigor da criação textual: uma chama, um nome. In: Desígnios - Revista de Artes e Letras da PUC-SP, n. zero, São Paulo, 1975. Gomes, Maria dos Prazeres. Uma leitura possível de: Uma chama não chama a mesma chama. In: Círculos Afins. Lisboa: Assírio & Alvim, 1977.
Gomes, Maria dos Prazeres. Outrora Agora. Movimentos Plagiotrópicos da Poesia Portuguesa de Invenção. São Paulo: EDUC, 1995
Gomringer, Eugen, and Reinhard Döhl. Poesía Experimental, Estudios y Teoría. Madrid: Instituto Alemán de Madrid, 1968.
---. "Poetry as a Means for the Structuring of a Social Environment." Trans. of Poesie als Mittel der Umweltgestaltung (1969). Trans. Mark E. Cory. Visible Language 10 (1976): 227-41.
---. Konkrete Poesie. Stuttgart: Philipp Reclam Jun, 1973.
---. Zur Sache der Konkreten. 2 vols. St. Gallen: Erker, 1988. Vol. 1: Konkrete Poesie.
Gumpel, Liselotte . "Concrete" Poetry From East and West Germany: The Language of Exemplarism and Experimentalism. New Haven: Yale University Press, 1976.
Hatherly, Ana. Da intertextualidade na poesia experimental. In: Colóquio Letras, Lisboa, n.34, nov.1976.
Higgins, Dick. "Reading Paths in Spanish and Portuguese Baroque Labyrinths." Visible Language 20 (1986): 52-64.
---. “Visualidade do texto: uma tendência universalista da poesia portuguesa.” Colóquio/Letras 35 (1977): 5-17.
---. A Experiência do Prodígio: Bases Teóricas e Antologia de Textos-Visuais Portugueses dos Séculos XVII e XVIII. Lisbon: Imprensa Nacional-Casa de Moeda, 1983.
Hatherly, Ana. Da intertextualidade na poesia experimental. In: Colóquio Letras, Lisboa, n.34, nov.1976.
Hatherly, Ana, e E. M. de Melo e Castro, eds. Po.Ex. – Textos teóricos e documentos da poesia experimental portuguesa. Lisboa: Moraes, 1981.
Heninger, S.K., Jr. Horizons: The Poetics and Theory of the Intermedia. Carbondale & Edwardsville: Southern Illinois UP, 1984.
Hollander, John. Vision and Resonance: Two Senses of Poetic Form. New York: Oxford University Press, 1975.
Hultberg, Teddy, ed. Literally Speaking. Sound Poetry and Text-Sound Composition. Goteborg: Bo Ejeby, 1993.
Jackson, K.David, Eric Vos, and Johanna Drucker, eds. Experimental-Visual-Concrete: Avant-Garde Poetry since the 1960’s. Amsterdam. Atlanta: Rodopi, 1996.
Janecek, Gerald. The Look of Russian Literature; Avant-Garde Visual Experiments 1900-1930. Princeton: Princeton UP, 1984.
Kac, Eduardo. Holopoetry: Essays, Manifestoes, Critical and Theoretical Writings; 1983-1995. Lexington: New Media Editions, 1995.
Kac, Eduardo. A poesia high-tech nos videopoemas do português Ernesto Melo e Castro, o protótipo da poética do século XXI. In: O Globo, Rio de Janeiro, 13.set.1987.
Kessler, Dieter. “Untersuchungen zur Konkreten Dichtung: Verformen, Theorien, Texte.” Deutsche Studien Band 30. Meisenheim am Glan: Verlag Anton Hain, 1976. 274-413.
---. Konkrete Poesie: Fundamentalpoetik und Textpraxis einer Neo-Avantgarde. Europäische Hochschulschriften Band 408. Frankfurt am Main: Peter D. Lang, 1981.
Kostelanetz, Richard, ed. Imaged Words and Worded Images. New York: Outerbridge and Dienstfrey, 1970.
---, ed. Text-Sound Texts. New York: William Morrow, 1980.
---, ed. The Avant-Garde Tradition in Literature. Buffalo, New York: Prometheus Books, 1982.
---, ed. Visual Literature Criticism. Carbondale: Southern Illinois University Press, 1979. Originally published in Precisely 3-5 and West Coast Poetry Review 19 (1979).
---. “The ABC of Contemporary Reading.” Poetics Today 3.3 (1982): 5-46.
Kristeva, Julia. Revolution in Poetic Language. Trans. of La Révolution du Langage Poétique (1974). Trans. Margaret Waller. New York: Columbia University Press, 1984.
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Lange-Seidl, Annemarie. Approaches to Theories for Nonverbal Signs. Lisse: The Peter de Ridder Press, 1977.
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Levenston, Edward A. The Stuff of Literature: Physical Aspects of Texts and Their Relation to Literary Meaning. Albany: State University of New York Press, 1992.
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McCullough, Kathleen, ed. Concrete Poetry: An Annotated International Bibliography. Troy, New York: Whitston Publishing Company, 1989.
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Mendonça, Antonio Sérgio Lima, e Alvaro de Sá. Poesia de Vanguarda no Brasil: De Oswald de Andrade ao Poema Visual. Rio de Janeiro: Antares, 1983.
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---. Iconology: Image, Text, Ideology. Chicago: U of Chicago P, 1986.
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---. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
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